![]() ![]() I'm a bit disapointed by what is feasible on my SV2, especially for the key off noises. I'm not so much interested in the acoustics pianos, but I'd like to give a try to the Rhodes, mostly due to the possibility to tweak numerous tone parameters. But this is what worked for my particular objection.įorgive me if I seem too enthusiastic. I am not suggesting these tweaks will address your objections. Each note should be unique and personal and this setting helps me get there. I have never encountered a perfectly regulated piano and PT shouldn't be one either. The secondary way I address this I go to the note edit menu, select "attack envelope" and I hit the random button a couple of times. □ I simply pull the forte hammer hardness down closer to 1 and I get a Steinway which is more like a golden retriever and less like a doberman. The primary way I address this is to go to the voicing menu where the default "hammer hardness" is as follows piano=.30, mezzo=.80, forte=1.50. Had that feeling? I hear it in the demos sometimes because they are playing the presets. It's like it's trying to bite your ear off. Especially at high velocities and especially with their Steinways. But if you ever try out a PT piano yourself, I recommend playing with two settings. It's because my primary objection to PT has become addressable for me. PT was a practical compromise in the early days but today I tend to prefer it to sampled pianos, not just because I get 128 velocity levels or because I can remove the shine of the room reverb if I want. But several soft instruments are approaching playability, which to me means that if I am having a tough day, I can noodle on them and get lost in them. Turning to pianos I have a Model L in the next room which no soft instrument is going to come close to. I am that way with certain analog sounds, and with real versus digital pipe organs. However better ears than mine can probably hear something which tells them "this is not real." I get that, even though I can't hear it as much personally. I used to hear a metallic timbre in the PT 5.0 which is when I hopped on PT. ![]() Certainly better than my cauliflower ones. Hey Josh, Nothing but respect for your ears brother. And I get that it's very expressive, and very easy on the ol' CPU compared to sample libraries. Pianoteq 4 includes an equalizer, key velocity connectors, volume, dynamic sounds that control the volume from pianissimo to fortissimo.Is it just me, or does anyone else listen to the demos and think "Yup, still sounds almost like a piano"? This program also lets you choose the position of the microphone and a mixture of the multiple channels (more than 5 microphones and 5 channels). Pianoteq 4 also includes 4 pedals: middle pedal, sostenunto pedal, harmonic pedal and una corda pedal. The complex resonances can capture a piano in all its richness, like the resonance of a harp and all its cords, the duplex scale or the muffling effect when a key is played (different nuances of muffling) between other special effects, like staccato. It is a very adaptable instrument that can be connected to your MIDI compatible keyboard. The sound is produced through a physical modeled instrument that simulates the properties and behaviors of real acoustic pianos. This software is a great upgrade that includes new sounds, functions, effects and only takes up only 20MB. ![]() Pianoteq 4 is defined as the future of virtual pianos and offers the best and latest available technology. ![]()
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